Wednesday, 22 May 2013

Why I chose Zandra

Out of the 4 designers that were allocated to me, Zandra Rhodes stood out to me, mainly because she is the most eccentric one. I fell in love with her designs, the bright colours and the crazy patterns and textures are so eye-catching and unique that you cannot help but appreciate how intricate her work is. I looked in to a past collection of hers from last Spring/Summer 2012 so that I could compare it with her new Spring/Summer collection this year.


These particular outfits look quite cultural and ethnic, in terms of the patterns used and the colours. The headbands around the models heads adds to this also, and you don't often see the belt-type ribbon wrapped around a model like that which adds to the cultural aspects of these pieces
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This dress keeps with the oriental theme in terms of the patterns used, the colours are brighter and a lot of pink shades are used. The pattern is very 60's themed, very floral and swirly. Rhodes keeps with the headdress theme as you can see the model wearing a flower headdress in this picture.

The collection i am going to compare the previous one with is the most recent Spring/Summer 2013 collection:


This collection is a lot more quirky and reflects more of what Rhodes represents. Her use of bright colours is a lot more apparent in this collection compared with last years. She plays around with texture a lot more too, which can be seen throughout all 3 images. What's different about this collection also is the first image, the trouser suit, I actually really like this particular outfit, it's not something I would have expected from Rhodes, as the model is wearing a bomber jacket and tight-fitted trousers. I also love the extravagant headdresses and the sun glasses worn my the models, it gives it a cool, fresh, modern vibe which I think compliments the outfits well.

So in comparison to S/S 2012, the new collection is very different to the previous year, Rhodes has become even more experimental with her designs (if that's possible) and her outfits are a lot more quirky and daring. S/S 2012 was a lot more simplistic and almost had a tribal cultural theme to it which reflected the trends at the time.









Zandra Rhodes- The lady with the pink hair


Zandra Rhodes is an icon of the 60's, she is an English fashion designer who was born in Chatham, Kent, UK in 1940 and introduced to the world of fashion by her mother. Rhodes' early textile designs were considered too outrageous by the traditional British manufacturers so she decided to make dresses from her own fabrics and pioneered the very special use of printed textiles as an intrinsic part of the garments she created. In 1967 she opened her first shop: The Fulham Road Clothes Shop in London with Sylvia Ayton. In 1969 she set up on her own and took her collection to New York where Diana Vreeland featured her garments in American Vogue, after which she started selling to Henri Bendel in NY, followed by Sakowitz, Neiman Marcus and Saks.

Zandra’s own lifestyle is as dramatic, glamorous and extrovert as her designs. With her bright pink hair, theatrical make-up and art jewellery, she has stamped her identity on the international world of fashion. She was one of the new wave of British designers who put London at the forefront of the international fashion scene in the 1970′s. Her unique use of bold prints, fiercely feminine patterns and theatrical use of colour has given her garments a timeless quality that makes them unmistakably a Rhodes creation. In 1977 she pioneered the pink and black jersey collection with holes and beaded safety pins that earned her the name of “Princess of Punk”.  Her posters from this period have been a continuous inspiration for make-up artists and are collectors items.

She has designed for clients as diverse as Diana, Princess of Wales, Jackie Onassis, Elizabeth Taylor and Freddie Mercury of the rock group’Queen’. She continues to clothe and design for the rich and famous around the world from royalty to rock stars including: HRH Princess Michael of Kent, Debbie Harry, Bianca Jagger, Kylie Minogue, Anastasia, Paris Hilton, Joan Rivers and the late Isabella Blow.

Zandra Rhodes collections are sold in the top stores and boutiques around the world but her work does not just stop with dresses and printed textiles. It encompasses various exciting licences including jewellery, wrapping paper, china for Royal Doulton and furs for Pologeorgis in New York. She has also collaborated with MAC to produce a limited edition make-up range.

Sunday, 6 January 2013

60's Fashion and its Icons


60's Fashion and its Icons


The 1960’s as a decade was quite a phenomenon. It was a decade in which fashion, music, photography and the cult of personality united as one. It was known as the rule-breaking decade, and more popularly known as the ‘Swinging Sixties’.

Fashion in the 1960’s consisted of: Doc Martens boots, Teddy Boy suits, Wigs, Mop top hair, The Twiggy look, Paisley and Mini skirts to name a few. The 1960’s was an iconic era for style as it was when the young became the leaders of the fashion. Young people led the way for new, hip and innovative designs and fashion pieces that we would still wear to this very day. One of the most iconic fashion figures of the 1960’s was that of the model Lesley Lawson, more famously known as ‘Twiggy’, she paved the way for the all new British, androgynous look with almost baby doll like features.

Skirts were a big trend during the 1960’s with Mary Quant generating short waist skimming mini dresses and skirts that were set 6/7 inches above the knee, they were known to be one of the defining fashion moments in the 60’s. Mary Quant is known to have made the mini skirt what is was, she was very daring in her approach and liked to take risks in her designs. The trend was very controversial but took off as it was so different from what the women of that time were wearing, especially compared to the 50’s. The Quant style soon became known as the Chelsea Look. In the late 1960’s Mary Quant also popularised hot pants, which are still worn today by the younger generations. She wanted to make garments that were practical yet liberating and free.




 



                                                                                 Biba was an iconic London fashion store of the 60’s and 70’s it was founded by Barbara Hulanicki and her husband Stephen Fitz-Simon. The Biba fashion store was hugely popular amongst society, selling fashion items at affordable prices, particularly the Quant mini-skirt. Even though Mary Quant was the first British designer to show the mini-skirt, Biba was responsible for putting it out there on the high-street at affordable prices. The Biba feel was based around the Art Deco style, and the logo incorporates this approach. Every product had the Biba logo on it; it was the first to set a standard for brand marketing and the first high street store to create a look for itself. The description ‘Hordes of half-crazed teenage girls’ was only used to describe two things, a Beatles concert or a typical Saturday at the Biba store when it was popular. It just shows how much of a phenomenon Biba had created and how it has helped shape fashion and merchandising to this very day.

I went to the BIBA and BEYOND exhibition at Brighton Museum and Art Gallery and took pictures of the collection, here are a few: 




















Ossie Clark has been compared to the 1960’s fashion great Biba; he was also a major figure in the swinging 60’s. Clark was heavily influenced at the time by Pop Art and Hollywood Glamour, which can be seen throughout many of his designs. He was first recognised at the age of 23, when he was singled out by British vogue in their 1965 issue. Ossie and his wife Celia Birtwell produced some of the most memorable garments of the 1960’s. They collaborated with flattering silhouettes and romantic textiles to create iconic and eye-catching fashion designs. Clark designed for major celebrities, including The Beatles and Mick Jagger. He pronounced himself as a master cutter; he meticulously fitted coats, jackets and suits in wool, crepe, tweed and suede. His deigns were extremely precise and he loved to explore, create and discover new shapes and designs with different fabrics. He was a perfectionist to say the least.